T i m o t h y H o r n

T i m o t h y  H o r n
 
Born in Melbourne, Australia, 1964
Currently lives and works in Burlington, VT
 
Education
 
2004 MFA (Sculpture), Massachusetts College of Art, Boston, MA
2001 Honors Bachelor Visual Art (Glass), Australian National University, Canberra, Australia
1988 Post-Graduate Diploma ( Sculpture), Victorian College of the Arts, Melbourne, Australia
1986 Bachelor Fine Art (Sculpture), Victoria College, Prahran, Australia
 
Solo Exhibitions
 
2015 Supernatural, PPOW Gallery, New York, NY, USA
2010 Amber Room, Lux Art Institute, Encinitas, CA, USA.
2009 Medusa, LAND/ART 09, Santa Fe, NM, USA.
2008 Medusa, SJ ICA, San Jose, CA, USA.
2008 Bitter/Suite, de Young Museum, San Francisco, CA, USA.
2006 Villa Medusa, Hosfelt Gallery, New York, NY, USA.
2006 (in)discrete objects, Sub-Urban Series, Knoxville Museum of Art, TN, USA.
2005 Difficult to Swallow, Hosfelt Gallery, San Francisco, CA, USA.
2003 Water-Sports, Jam Factory, Adelaide, Australia.
2003 Cinderella Complex, Melbourne Town Hall Art Space, Melbourne, Australia.
2002 Water-Sports, Craft ACT, Canberra, Australia.
2001 Glory Box, Brisbane City Gallery, Brisbane, Australia.
2001 Cinderella Complex, Drill Hall Gallery, Canberra, Australia.
1995 Concert, Kirkcaldy Davies Gallery, Melbourne, Australia.
1992 Ménage à trois, City Gallery, Melbourne, Australia.
1989 Water Organ, Winter Folly, City Gallery. Melbourne, Australia.
 
Group Exhibitions

2017 Flaming June VII (Flaming Creatures) Gavlak Gallery, Los Angeles, CA
2017 9 x 5 Now, Margaret Dodd Gallery, VCA, Melbourne, Australia
2017 Ready, FIRE! Aim, BCA Center, Burlington, VT
2017 Art Basel, with PPOW Gallery, Hong Kong
2017 Vitreous Bodies, Massachusetts College of Art, Boston, MA
2016 deCordoba New England Biennial, deCordoba Museum, Linclon, MA
2016 Art Basel, with PPOW Gallery, Hong Hong
2016 A Cabinet of Curiosities from the Collection, Art Gallery of South Australia, Adelaide, Australia
2014 The Armory Show, with PPOW Gallery, New York, NY
2012 Seven Art Fair, with PPOW Gallery, Miami, FL
2012 Expo Chicago, with PPOW Gallery, Chicago IL
2012 FUSION [A New Cenury of Glass], curated by Alison Amick and Jennifer Klos, Oklahoma City Museum of Art, Oklahima City, OK
2012 Tour de Force: In Case of Emergency Break Glass, Mornington Peninsula Regional Gallery, Victoria, Australia
2011 Travelers: Objects of Dream and Revelation, Bellevue Arts Museum, Bellevue, WA
2011 January White Sale, Loretta Howard Gallery, New York, NY
2011 Decadence & Disarray, SPQ Projects, Lennox, MA
2010 Selected Works from the UniSA Samstag Collection, Kerry Packer Civic Gallery, Hawke Building, UniSA, Australia.
2010 GlassWear, SECCA, Salem, NC,
2010 Julie Heffernan/Timothy Horn, The Art Show, (with PPOW Gallery) Park Avenue Armory, New York, NY
2010 Dallas Art Fair, (with James Kelly Contemporary), Dallas, TX
2010 Tour de Force: In case of Emergency, Break Glass, curated by Megan Bottari, Artisan, Brisbane, Australia.
2009 Cabinet of Curiosities, Dunedin Arts Center, Dunedin, FL
2009 Pulse Contemporary Art Fair, Miami, FL
2009 The Coldest Winter I Ever Spent Was a Summer in San Francisco, Hosfelt Gallery, San Francisco, CA
2009 Reinventions, National Gallery of Australia, Canberra, Australia.
2009 New Work, Hosfelt Gallery, New York, NY
2009 Here & There, LAND/ART 09, 516 Arts, Albuquerque, NM
2009 GlassWear, curated by Ursula Ilse Newman and the Museum of Arts and Design, New York. Venues included Mobile Museum of Art, Mobile, Alabama, AL, Museum of Arts & Design, New York, NY, USA. Memorial Art Gallery, University of Rochester, Rochester, NY, Art Museum of South Texas, Corpus Christie, TX, Glazen Huis Vlaams Centrum voor Hedendaagse Glaskunstk, Lommel, Belgium.
2008 In Pursuit of Beauty, curated by Leonie Bradbury, Montserrat College of Art, Beverly, MA
2008 Aqua Wynwood Art Fair, Miami, FL
2008 Optimism, curated by Julie Ewington, Queensland Gallery of Modern Art, Brisbane, Australia.
2008 FLux, curated by Laura Addison, Museum of Fine Arts, Santa Fe, NM
2008 GlassWear, curated by Ursula Ilse Newman, Schmuckmuseum Pforzheim, Germany.
2007 Andy and Oz, Parallel Visions, co-curated by Tom Sokolowski and Dr Deborah Hart (Senior Curator at the National Gallery of Australia), Andy Warhol Museum, Pittsburgh, PA
2007 Aqua Wynwood Art Fair, Miami, FL
2007 GlassWear, curated by Ursula Ilse Newman, Glass Pavilion, Toledo Museum of Art, Ohio
2007 Jellyfish - Nature inspires Art, National Maritime Museum, Sydney, Australia.
2007 RAiR 40th Anniversary Exhibition, Roswell Museum and Art Center, Roswell, NM
2007 ARCO, Arte Contemporaneo, Feria de Madrid, Madrid, Spain.
2007 The Art and Artifice of Science, curated by Laura Addison, Museum of Fine Arts, Santa Fe, NM
2006 Flicker, curated by Corinna Ripps Schaming, Albany University Art Museum, Albany, NY
2006 Rapture is a Cool Place, curated by Stephan Jost, Mills College Art Museum, Oakland, CA
2006 Mass 3D, Boston Sculptors Gallery, Boston, MA
2006 Fine Arts Work Center Fellows, Provincetown Art Association Museum, Provincetown, MA
2006 Preview, Hosfelt Gallery, New York, NY
2005 Ornamentation: The Art of Desire, Institute of Contemporary Art, San Jose, CA
2005 Academici, Monash University, Melbourne, Australia, British Academy, Rome, Italy.
2005 Kindle and Swag, QUT Art Museum, Brisbane, QLD, Australia.
2004 Kindle and Swag, Art Museum of University of South Australia, Adelaide, Australia.
2004 MFA Thesis Exhibition, Bakala Gallery, MassArt, Boston, MA
2004 Walk This Way, Perc Tucker Regional Gallery, Townsville, QLD, Australia.
2003 Outstanding Student Achievement in Contemporary Sculpture, Grounds for Sculpture, International Sculpture Center, Hamilton, NJ
2003 Beautiful Rebellion, Adams House Art Space, Harvard University, Cambridge, MA
2002 Gulliver’s Travels, CAST, Hobart, Tasmania, Ivan Doherty Gallery Sydney, Monash University Gallery, Melbourne, IMA Brisbane, CACSA, Adelaide, PICA, Perth.
2002 Less is More, Less is a Bore, Brisbane City Gallery, Brisbane, Australia.
2001 National Sculpture Prize, National Gallery of Australia, Canberra, Australia.
2001 Glow, Object Gallery, Customs House, Customs House, Sydney, Australia.
2001 Vanessa Buemi and Timothy Horn, Object Gallery, Customs House, Sydney, Australia.
2000 SpringART, SpringOUT Festival, Sound Screen Archives, Canberra, Australia.
2000 GAS Conference, LIU, Brooklyn, NY
1999 Glass, Essentially Canberra, Glass festival Exhibition, Hsinchu Municipal Centre, Taiwan. La Salle College of the Arts SIA, Singapore.
1999 Glass, Essentially Canberra, Object gallery, Customs House, Sydney, Australia.
1999 RFC Glass Prize, Touring Exhibition, Sydney, Brisbane, Perth, Canberra, Wagga Wagga.
1998 Venezia Aperto Vetro 1998, L’Instituto Statale D’Arte, Venice, Italy.
1998 RFC Glass Prize, Touring Exhibition, Sydney, Melbourne, Perth, Brisbane.
1999 Fill This Space, Collaborative Installation, Next Wave Festival, North Melbourne Town Hall Hotel, North Melbourne, Australia.
1997 Site and Scale, Yarra Sculpture Space, Abbotsford, Melbourne, Australia.
1996 Love: at the Carlisle Street Motel, Carlisle Street Motel, St. Kilda, Australia.
1995 Blundstone Traveling Fellowship, Touring Exhibition, Launceston, Sydney, Melbourne, Perth, Canberra, Brisbane.
1991 Gasworks Sculpture Exhibition, Southgate, Melbourne, Australia.
1989 Domestic Objects, Fifth Australian Sculpture Triennial, John Buckley Fine Art, Melbourne, Australia.
1989 Sixteen Artists, University Gallery, Melbourne University, Australia.
1988 Sculpture in the Moat, National Gallery of Victoria, Melbourne, Australia.
 
Awards, Grants and Artist Residencies
 
2104 New Work Grant, Visual Arts Board, Australia Council
2010 Lux Art Institute Residency, Encinitas, CA
2010 Pollock-Krasner Foundation Inc. Grant.
2009 New Work Grant, Visual Arts Board, Australia Council.
2007 New Work Grant, Visual Arts Board, Australia Council.
2006 RAIR Residency, Roswell, NM
2006 Artist Resource Trust Grant, Berkshire Taconic, MA
2006 Yaddo Summer Residency, Yaddo, Saratoga Springs, NY
2005 New Work Grant, Visual Arts Board, Australia Council.
2005 Massachusetts Cultural Council Grant, MA
2005 7-Month Fine Arts Work Center Winter Residency, Provincetown, MA
2004 LEF New England General Funding Grant, MA
2004 Janet Sloane Residency, Yaddo, Saratoga Springs, NY
2004 St. Botolph Club Foundation Grant, Boston, MA
2003 Outstanding Student Award, International Sculpture Center, NY
2002 Anne and Gordon Samstag International Visual Arts Scholarship.
2002 3-Month Rome Studio Residency, Australia Council, British Academy, Rome, Italy.
2002 Peter and Lena Karmel Award, ACT, Australia.
2002 University Medal, Australian National University, Canberra. Australia.
2001 Arts ACT General Funding Grant, ACT, Australia.
2001 CAPO Grant, ACT, Australia.
2001 Arts ACT Quick Response Grant, ACT, Australia.
2001 National Institute of the Arts Award, ACT Australia.
2000 GAS Conference Student Exhibition, Second Prize, Brooklyn, NY
2000 Thomas Foundation Pilchuck Scholarship, Ausglass, Australia.
1997 Pat Corrigan Grant, Visual Arts Board, Australia Council.
1990 Project Development Grant, Visual Art Board, Australia Council.
1987 Queen Elizabeth II Silver Jubilee Trust, VIC, Australia.
 
Collections
 
Art Gallery of South Australia, Adelaide, Australia
de Young Museum, San Francisco, CA
Dior, New York, London, Beijing and Hong Kong
National Gallery of Australia, American Friends of the NGA purchase, Canberra, Australia
Beth Rudin deWoody Collection, New York, NY
Wellington Management, Boston, MA
Mills College Art Museum, Oakland, CA
University of South Australia Art Museum
National Sculpture Prize Acquisition 2002, National Gallery of Australia, Canberra, Australia.
Möet et Chandon Purchasing Fund 1990, National Gallery of Australia, Canberra, Australia.
Private collections in Australia, USA and France.
 
Publications
 
Ready, FIRE! Aim, Essay by DJ Hellerman, BCA Center, Burlington, VT 2017
Peter Marino: Art Architecture, edited by Brad Goldfarb, Phaidon Press, New York, 2016
Perspectives 2, Essay by Karen Pfefferie, Wellington Management, 2014
Collected Works from the UniSA Samstag Collection, Essay by Sarah Wall, UniSA, 2010.
Here & There, Essay by Suzanne Sbarge, 516 Arts, Albuquerque, NM, 2009.
Optimism, Essay by Julie Ewington, GoMA, Brisbane, Australia, 2008.
Bitter Suite, Essay by Martin Chapman, de Young Museum, San Francisco, CA, 2008.
Flux, Essay by Laura Addison, New Mexico Museum of Art, Santa Fe, New Mexico, 2008.
Separated at Birth, Essay by Garth Clark, Collect, British Craft Council, V&A Museum, London, 2008.
GlassWear, Essay by Ursula Ilse Newman, Museum of Arts and Design, NY, 2007.
Andy and Oz, Essay by Dr Deborah Hart, Andy Warhol Museum, 2007.
RAiR 40th Anniversary Exhibition, Roswell Museum and Art Center, Roswell, NM, 2007.
The Art and Artifice of Science, Essay by Laura Addison, Museum of Fine Arts, Santa Fe, 2007.
Flicker, Essay by Corinna Ripps Schaming, Albany University Art Museum. 2006.
(in)discrete objects, Knoxville Museum of Art. Essay by Dana Self, 2006.
Rapture is a Cool Place, Mills College. Essay by Maria Porges, 2006
Academici, Monash University. Essay by Dr. Anne Alwis, 2005.
Kindle and Swag, University of SA, Essay by M. M. Anderson, 2004.
Fall/Winter 2003/04 Exhibitions, Grounds for Sculpture, ISC, 2003.
Fine Arts 2001-2002, The British School at Rome. Essay by Lorella Scacco, 2002.
Less is More, More is a Bore, Brisbane City Gallery. Essay by Kirsten Fitzpatrick, 2002.
Watersports, Craft ACT, Canberra. Essay by Aroona Murphy, 2002.
Samstag 2002, University of SA. Essay by Dr Russell Smith, 2002.
Gulliver’s Travels, CAST, Tasmania. Essay by Stuart Koop, 2002.
National Sculpture Prize, National Gallery Canberra. Essay by Elena Taylor, 2002.
Cinderella Complex, Drill Hall Gallery, Essay by John McPhee, 2001.
RFC Glass Prize 1999, RFC, Essay by Andrew Plummer, 1999.
Essentially Canberra, Canberra School of Art, Essay by Stephen Proctor, 1998.
RFC Glass Prize 1998, RFC. Essay by Andrew Plummer, 1998.
 
Recent Articles & Reviews

Exquisite Feasts for the Eye, by Carolina Irving, Miguel Flores-Vianna and Charlotte de Carcaci, New York Times Magazine, December 2, 2014
Neo-Palatial: Exhibition in Print, by Garth Clark, Metalsmith Magazine, August 2010
His Obscure Objects of Desire, Devin Jackson, SantaFean Magazine, June/July 2010.
Half Full, Half Empty, Phil Brown, Art Beat, Brisbane News, Page 21, Issue 771, February 17, 2010.
Three reasons to visit Dunedin Fine Art Center: weirdly wonderful art, a tribute to oceans, and jewelry with stories, Lennie Bennett, St. Petersburg Times, September 27, 2009.
Bejeweled, Keith Recker, Hand/Eye Magazine, Fall/Winter 2009, Issue 02.
Timothy Horn: Bitter Suite, Stacy Martin, San Francisco Bay Guardian, 9 July, 2008.
Sweet Art: De Young's Sugar Coated Creativity, KTVU http://www.ktvu.com/video/16623426/index.html
BitterSuite, Artnotes, Washington DC - USA, Beatrice Gralton, Art Monthly, July 2008.
Some Digressions on Ornament, Abstraction and the Stowaway, Wendy Walker, Artlink, Vol 28, June 2008.
Sugarcoated or not …, Zahid Sardar, San Francisco Chronicle, 29 June, 2008.
Timothy Horn: Bitter Suite, http://www.artdaily.com, 25 June, 2008.
A Sweet Tribute to Alma Spreckels, Seán Martinfield, San Francisco Sentinel, 25 June, 2008.
Arte-Colecciones (crónica) El¡ Azúcar !del Arte, Belén Palanco, EFE News Agency, Madrid, Spain, 14 June, 2008.
Sugar High, Pilar Viladis, The New York Times Magazine, Sunday 1st June, 2008.
Andy and Oz: parallel visions, Deborah Hart, World of Antiques & Art, Issue 74, Feb - Aug, 2008.
Leaving Las Vegas, Anne Bogart, Elle Decor, Page 90, No. 143, Jan/Feb, 2008
After Andy -Down Under Pops Up, Christine Wallace, Canberra Times, 28 October 2007.
Warhol show complements Down Under offerings, Mary Thomas, Pittsburgh Post-Gazette, 18 October 2007.
Master's Apprentices, Margot Osborne, The Adelaide Advertiser, 1 September, 2007.
NewGlass Review 28, Corning Museum of Glass, May 2007.
Creatures from the Deep, Rafael Risemberg, New York Blade, 15 December 2006.
The Arty World, David Byrne Journal, 5 December 2006.
A multidimensional state of art, Cate McQuaid, Boston Globe, 8 June 2006.
Up Scaled, Heather Larson, The Remix, New York Times Style Magazine, Fall 2005.
Review Timothy Horn, Maria Porges, American Craft, August/September 2005.
ObjectEye, Rhana Devenport, Object Magazine, May 2005.
Kindle and Swag: The Samstag Effect, Jena Woodburn, Broadsheet, April 2005.
Kindle and Swag: The Samstag Effect, Bridget Currie, Eyeline #56, Summer 2004/2005.
The Gingerbread Man lands a Townhouse, Annette Ferrara, Ten by Ten Magazine, December 2004.
Kindle and Swag: The Samstag Effect, Wendy Walker, The Advertiser, 30 November, 2004.
Swansong Finishes on a Pristine Note, Stephanie Radok, The Adelaide Review, 12 November, 2004.
Gingerbread Art a First for Boston Artist, Lesley LeDuc, Yaddo Newsletter, Fall 2004.
Young Masters, Cate McQuaid, Boston Globe, 13 June, 2004.
Outstanding Student Achievement, Sculpture Magazine, September 2003.
Signs of Life, Stephanie Radok, The Adelaide Review, October 2003.
Excessories, Brad Johnston, Blue Magazine, Issue 42, 2003.
They must have imagined it all, Benjamin Gennochio, The Weekend Australian, 3-4 August 2002.
There be giants…and little things too, Peter Hill, Sydney Morning Herald, 17 July 2002.
Eau Sauvage, Mark Bayly, Object Magazine, Issue No. 39, 2002.
Baroque sensibilities inspire casts of glass, Meredith Hinchliffe, 10 July 2002.
Opulent, luxurious, a little sleazy, Cassie Proudfoot, Panorama, Canberra Times, 8 June 2002.
New Glass Review 23, Neues Glas, Corning Museum of Glass, May 2002.
Big is Beautiful, Julie Ross, Brisbane News, January 2002.
Beauty Trashed, Sandra McLean, Courier Mail, 20 December 2001.
Blooming Lotus, Benjamin Gennochio, Sydney Morning Herald, 4 December 2001.
Objects of Beauty, Meredith Hinchliffe, Canberra Times, 31 July 2001.
The Arts Show, ABC TV, 2001.
Coast to Coast, ABC TV, 2001.
Visual Arts, The Perfect Week, Katie Pollock, The Bulletin, 24 July 2001.
A Capital Life, Helen Musa, Panorama, Canberra Times, 14 July 2001.
Issues and directions in Australian Art and Design Schools, Prof. Noel Frankham, Craft International No. 52, 2001.
Ausglass Winter News Letter, Ausglass 2001.
New Glass Review 22, Neues Glas, May 2001.
Taming of the lewd, Bruce James, Spectrum, Sydney Morning Herald, 3 March 2001.